www.montanalingua.com
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22. Maurice Zorge
Netherlands |
Re-Zoom
Last year Svetlana Kondakova did the Zoom version. This was a great success and after the session I heard that a lot of people that didn't attend the workshop would like to play it. To give it a twist I present the Re-Zoom version. It's a communicative brain-teasing session, based on Istvan Banyai`s masterpiece, where participants will have to re-create the original book by putting the illustrations in order.
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23. Nelson Trindade
Portugal |
What are a team ?
1. some individual intelligence leading collective energy, or
2. collective intelligence leading some individual energy ???
The workshop will involve an activity forcing the option between these two positions and a debriefing session looking for the assumptions:
1. Are the individuals more intelligent than the group, or
2. Are the group more intelligent then the individual ???
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24. Tim Pearson
Alaska |
The Kids from Nowhere
a workshop on creativity, collaboration, and the power of non-western thinking
In 1984 ten students from the Siberian Yupik Eskimo village of Gambell, Alaska won the Future Problem Solving Competition against 60 teams of the brightest kids in North America. They became the only team of Native Americans in U.S. history ever to win a national championship in academics. And they did so twice. Their story was just published in December 2006. The competition was specifically designed by creativity expert Dr. Paul Torrance in order to challenge gifted students.
This workshop will explore Paul Torrance's research, his creativity model, and the application of non-western thinking to experiential education.
Note: The Kids From Nowhere by George Guthridge has Tim's enthusiastic vote for best book of 2006. www.thekidsfromnowhere.com
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25. May Tan
Singapore |
Challenges and Opportunities for outdoor education in Singapore.
Outdoor education in the form of adventure programming is an emerging trend in the small country of Singapore. The challenge lies in sustaining the quality of these adventure programs for the participants. The opportunities present itself for an educational institution to educate and train instructors who can appreciate and facilitate future outdoor leaders. I hope to share parts of the outdoor education endeavor of Singapore from my personal experience. I would love to hear from others who have experienced or going to experience similar challenges and opportunities. |
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26. Dilek Polat Sesli
Turkey |
The Bosphoros Bridge
This is a motivational activity. Participants will be asked to build an example of the Bosphoros Bridge only using stationary equipment. This activity we generally use with groups in a competitive environment. Fun & creativity as well as team work at the same time. |
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27. Simon Beames
England
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Erving Goffman
I will present three sociological frameworks by the late Erving Goffman. My hope is that this will generate rich discussion, through which we may gain a deeper understanding of our educational practices.
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28. Rik Verschueren
Belgium |
Creativity Workshop: How to use the present and barely unknown resources to create wonderful connections.
Experience the use of intuïtion, awareness and vision as a power to create, more sense of connectedness with the Whole, with less 'imported' resources.
The instruction might be: "Create and co-create a functional or attractive 'building' with wood, ropes 'and whatever you find that can be used'; based on a present theme, need, dream; using reason only to remember your vision and support the suggestions of your intuition." |
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29. Nick Ray
Scotland |
Creating the space in the 'outside' to work with the space on the 'inside'.
Using the example of a four day canoeing journey down the River Spey in Scotland, this workshop will offer practical information on how to frame and manage an authentic therapeutic encounter through a literal 'wilderness' journey and meaningful connection with nature.
This is not a workshop about adventure or wilderness therapy per se, but about the possibilities of working with psychological depth. |
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30. Alan Smith
Scotland |
Connecting to Nature with the John Muir Award
I am the John Muir Award manager for the Cairngorms. I would like to run a workshop on the John Muir Award which would be a practical, outdoor fully interactive run through of the Award. Particular emphasis would be on National Parks and their special qualities and peoples heart connection to nature. |
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32. Wim Chalmet & Irene Bews
Scotland |
Omnikin
Game was created by Mario Demers more than ten years ago in reaction to the lack of assiduity of young people in doing a physical activity. The rules are specially established to put an emphasis on co-operation, respect and fair play. It allows everyone to play and participate to the success of his team. This safe environment attracts people who would otherwise not be directed towards physical activity. An unknown non-risk fun activity will make participants think about roles, communicate strategies and express their strengths/weaknesses. |
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33. Gabriel da Fonseca
Germany |
Sekai Dojo: Outside like Inside
This is a concept I have been developing for awhile, combining the use of the experiential learning methodology, expeditions, and non-competitive martial arts for the re-socialization of youth-at-risk. The workshop consists of a presentation of the rationale behind the concept, followed by a discussion session. |
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34. Silke Koerner & Gabriel da Fonseca
Germany |
Reviewing EEEurope scholarship procedures
We will facilitate a session to review and improve on the scholarship approval guidelines as well as on the scholarship panel functions that we have been working with since 2003. Our EEEurope Scholarship Fund is financed by a mandatory contribution of every conference participant and supports practitioners with restricted financial funds, such as people coming from countries with weak currencies, students, etc. to pay for the conference fee.
[Part 2: presentation at final general assembly for 15 - 20 minutes, including discussion] |
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35. Meira Kober
Israel |
The importance of "being" in outdoor learning
A PowerPoint presentation of new approaches in outdoor learning that we have been practising and developing in the past year. This will be followed by an open discussion that will invite participants to share their views and opinions. It has to do with more emphasis on "being" rather than on "doing and saying" which represents the "old" approach to outdoor learning in organizations over here. |
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36. Robert Brown
Spain |
Discovering Another World: experiential learning as a powerful learning tool
The main focus of this workshop is to share ideas on how we can sell, expand, and communicate "experiential learning as a powerful learning tool" and how by this action we can influence different social groups (educators, schools, governments) to use experiential learning to explore urgent current issues such as global warming, violence, drug abuse... etc Can eeeurope become a more active organisation? How could we network more powerfully? Could our voice be heard? |
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37. Jeroen Galama
Netherlands |
A breath of air
Is it a review or is it an activity? I am not sure. Are you curious for ways to make better use of walking time (e.g. to the cave or canoe), or are you looking for (semi)solo-activities? In this workshop we will explore the possibilities of a stroll and your creative side. During a walk you are invited to answer our central question in pictures. We will share the answers and discuss them. See if it gives you some air… If you think of joining this workshop BRING YOUR DIGITAL CAMERA AND CARDREADER. |
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38. James Grant and Michelle Morrow
Scotland |
Scottish Centres: Past and Future
After a brief presentation about the history and aims and objectives of Scottish Centres, we will provide an outline of the new Scottish curriculum for schools 'Curriculum for Excellence'
and how Scottish Centres can support it. Then let's discuss how experiential education has a big part to play in and how we can focus on the four main aims of this 'Curriculum for Excellence' within the work we do - and not just in Scotland! You will then have a chance to choose and take part in an activity and test out ideas arising from our discussion. |
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39. Reno Taini
USA |
Exploring Mirror Neuron and Discomfort Training
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40. Ruth Winden
UK |
How to Combine Coaching and Experiential Learning?
I love experiential learning. I love coaching. Yet I struggle to find ways of combining the two!
Now that 70% of my work focuses on coaching, rather than experiential learning, I do find myself wondering how I can integrate elements of experiential learning more fully into my coaching practice.
I don't get very far when I bring this question up with other coaches, as the great majority of coaches I work with don't come from an experiential learning background.
My hope is that I'll find some like-minded coaches and experiential educators who are interested in exploring these questions further. |
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41. Mihaly-Csongor Kocsis
Romania |
How to organize a teambuilding course when you only have limited resources?
This is a presentation of a series of games and activities - from very simple ones to more complex problem-solving tasks - used in the programme of a teambuilding course, both with small and big groups. |
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42. Lesley Greenaway
Scotland |
Experiential Evaluation - how was it for you?
In our world of experiential educators in whatever field we work in, we are always interested to learn and know from our participants, customers, members or service users: how was it for you? what difference does it make? what can we learn from this? how can we make it better?
My workshop is about how I have been developing an approach to evaluation which values the expertise of the participant as the evaluator, and takes them through an experiential journey where they not only contribute to the content of the evaluation or survey, but that they are also involved in its design its delivery and its conclusions.
- have a go at some of my favourite participatory evaluation methods
- invent some new evaluative methods
- and take part in a mini EEE community inquiry exercise
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43. Gian Luca Ferrarotti & Guido Cremonesi
Italy |
Rhythm and Music Experience: Building
In the first slot of time people build simple music instruments, percussions, from cheap raw materials, cardboard tubes, wood sticks, sieves, etc... |
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44. Gian Luca Ferrarotti & Guido Cremonesi
Italy |
Rhythm and Music Experience: Music
In the second part of the workshop, 2 teams set a picture to music, or invent a EEEanthem. |
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45. Reno Taini & Gabriel da Fonseca
USA & Germany |
About Youth Work (working title)
A facilitated discussion
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46. Saskia Szepansky
Netherlands |
Walk the Walk
In a youth project I have accompanied a seventeen year old girl to Santiago de Compostella (Spain). Being on the road with her for such a long time taught me a lot. About figuring out oneself, endurance, fun, cold nights in a tent, rapmusic and much more. I was amazed by the effect that walking in a natural environment has had on both me and my 17 year old companion. I think walking in itself can be a wonderful 'tool' in experiential education.
Have you ever realised how wonderful walking is? How many different experiences it offers? How it helps you focus on physical sensations? How helpful 'just walking' can be in a learning process? In this workshop I would like to focus on walking. Let's share ideas on how to use it in experiential programmes! |
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47. Jacopo Nicelli
Italy |
Cambrian Trees
Here is a picture (sound, image, concept, idea, word, movie). The picture (...) triggers the birth of another picture (...). The follow-on pictures (...) will come into the world one after another, and some pictures will be born from one piece of picture (...). This game is typically played by multiple players and generates a large leafy tree that grows according to how ideas propagate, transform, and evolve through the players' interactions (with a social media space). From a learning point of view, the game has lot of potentials in supporting the process of discussion, transfer of information, planning, assess understanding, developing knowledge, idea generation and organization, linking concepts, mind mapping, data gathering, project evaluation, highlight relationships between ideas/events/ people, etc. |
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48. Adinda van de Giessen
Netherlands |
The Right to Complain
In programmes I sometimes have participants complaining about external factors, and they can be persistent about the relevance of it. My solutions (to point out to them we can not deal with it, or to make them responsible for the thing, or to transform it into a challenge) did not always do them justice: Sometimes they have a problem and I just try to get it out of the way because it is out of fashion to have problems. Believing in people, I also believe that these ‘moaners’ don’t raise the topic to spoil constructive conversation, but because they want to work on it in some obscure way. This workshop we focus on complaints and work on it. |
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49. Jac Rongen
Netherlands |
Writing a haiku
Seems an easy thing to do
Like pruning bonsai |
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50. Naseem Iqbal
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Using film clips in experiential programmes
(title to be confirmed) |
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51. Ammy Kuipers
Netherlands |
Theatre
(title to be confirmed) |
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52. Johan Boekholt and Maria Costa
Netherlands and Portugal |
The Master Storyteller
Better presentations by using the techniques of storytelling (fairytales). The attention of your audience does not only depend on content of your story, but also on the way you tell it !!!
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53. Randi Du Bois
USA |
Words
(title to be confirmed) |
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54. Gábor Szabó
Hungary |
We must be the change
(title to be confirmed) |
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55. Michelle Morrow
Scotland |
Risk Awareness and Risk Assessment by young people
(title to be confirmed) |
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56. Marcolien Huibers
Netherlands |
The role of trainer: balancing between leading and following
As a trainer you have two opposite roles: leading and following. How do you find balance between those two? What are your strengths and your weaknesses?
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57. Frank Grant and Jacopo Nicelli
England and Italy |
Symmetry and Asymmetry
This proposal arose from Keith Ratcliffe's pre-conference session on photography. We are curious about symmetry and asymmetry in art and how artists including photographers, understand these concepts. If individuals view the same scene/scenario asymmetrically (i.e. they see a different two halves which makes no sense within their own frame of reference) then perhaps this is why their behaviour is seen and viewed as criminal, unacceptable, negative, illogical, bad etc.? Might this help us to understand individuals who appear to have no moral sense of right and wrong in relation to their behaviour?
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58. Ammy Kuipers
Netherlands |
Tears, Whisky and Song
(title to be confirmed) |
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59. Rik Verschueren
Belgium |
Night Walk
(title to be confirmed) |
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